A Thousand Reasons Not To Run

Blurb:

Traumatized by a childhood tragedy and her ongoing therapy no longer effective, Lexi lives a lonely life in Tribune, a small town nestled on a bayou in the southern United States. Her therapist offers an ultimatum: find friends or find another therapist.

Lexi reluctantly joins a running program that meets at the Volt, an egalitarian waterfront center that is the pride of the town. Just as she begins to develop friendships and enjoy some safety, she learns of a secret plot to close the Volt, scatter its resources, and sell the prime land to a mysterious group of investors.

As she makes the decision to put her job, her anonymity, even her life on the line to save this precious refuge, a stranger arrives from her past with a story she doesn’t want to hear.

Join Lexi and her band of reluctant runners as they uncover long hidden secrets and find the value of true friendship.

Thoughts:

In this book, Trish Taylor tells the story of how a ragtag group of people works together to achieve something, despite their insecurities and struggles. They bond well and support each other while battling powerful adversaries.

Initially, the writing style did not sit well with me as the story seemed to start in the middle, without any background. Besides, I am not a great fan of flashbacks unless they are masterfully well-written. However, the story soon won me over as it had my favourite theme of second chances/starting over.

The book also had the right amount of mystery to keep me interested. The main character Lexi had a startling past. It is revealed slowly as the story unfolds.

Enjoyable!

Note: I received a free copy of the book from BookSirens in exchange for an honest review.

What I Talk About When I Talk About Running

Blurb:

In 1982, having sold his jazz bar to devote himself to writing, Haruki Murakami began running to keep fit. A year later, he'd completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a dozen critically acclaimed books, he reflects upon the influence the sport has had on his life and--even more important--on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and takes us to places ranging from Tokyo's Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvelous lens of sport emerges a panorama of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs, and the experience, after fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in distance running.

Thoughts:

My first-ever Murakami book. Those who know how much I read and love to might wonder why I have never read his books before this. I honestly don’t know.

Murakami’s books have been on my TBR list for a long time now. The title ‘What I Talk About When I Talk About Running’ seemed more approachable than all the others.

This book is worth all the hype. Or, maybe I needed a book that was of the right pace and tone now. After my father’s prolonged illness and death, I needed to read something that soothed me.

Strangely enough, this was that book. Strange because I am not a runner or a Japanophile. Yes, I am a writer.

For me, this book is not about running or writing. It’s about life. Everything seems simple in Murakami’s world. He speaks of himself as an ordinary person trying to persist in activities, such as running and writing, in his unique way.

He does not persuade you to do any of those things. Nor does he offer advice. Yet, he inspires by showing that even a person (as ordinary as him) is capable of these things by keeping at them. He discusses running, writing, creativity, aging, and life in general.

Since this is a translation (by Philip Gabriel), I cannot comment on his writing style. It is simple, unvarnished, and meditative, which makes the book seem like a collection of unstructured thoughts.

I may not re-read it. However, I may hark back to it and look up bits and pieces from it later on.